Home Uncategorized Unicomp New Model M review: back to brilliant basics

Unicomp New Model M review: back to brilliant basics


Unicomp New Model M review: back to brilliant basics

I’m not old enough to have ever encountered an original IBM Model M in an office. But in my second year of university, after hearing about how amazing these old keyboards were to type on, I sought out an old model on eBay. For the next two years, every essay I wrote was hammered out on a vintage keyboard from 1985. I never took it to libraries or lectures (I’m not a monster), but my second-year roommate must have been pretty happy to see the back of me that summer.

As of this writing, you can still find plenty of decades-old IBM Model M keyboards for sale online, or you could buy a $104 New Model M from Unicomp, a company with its roots in the Lexington-based keyboard factory that produced many of the original Model Ms. The New Model M is big, bulky, and it’s got the same buckling spring switch mechanism that made its predecessor such a treat to type on. It’s not hard to imagine this board soaking up cigarette smoke and coffee on the desk of a 1980s office worker.

When people ask me what it is I like about mechanical keyboards, I usually respond by saying something about how timeless their designs are. IBM keyboards produced in the 1980s still feel great to type on today, and there’s a good chance many mechanical keyboards made nowadays will outlast the computers they’re plugged into. But feeling great to type on isn’t the only thing a modern keyboard needs to do, and that’s where the New Model M falls short.

The New Model M is available in a variety of different configurations. Although its case only comes in black, its keys are available in either gray or, like we have here, white and gray. It’s available with an old-fashioned PS2 connector or more modern USB. (The cable, unfortunately, isn’t detachable like many modern mechanical keyboards.) It’s available with layouts suitable for a variety of countries, including US, UK, Denmark, Finland / Sweden, France, Germany, Norway, and Spain. If you go for a US layout, there’s the option of getting the keyboard with a slightly longer space bar, and Unicomp will also ship the keyboard with a Mac layout. Some of these options come with customization fees. Unsurprisingly, there’s no option for wireless connectivity, just like there wouldn’t have been in the mid-1980s.

Even for a full-size keyboard, the New Model M is large. There’s a border of at least 2cm (0.78in) of plastic around the four sides of the keyboard, and even between the sections of keys themselves, there’s more empty space than you’ll find with most modern keyboards. It’s a tad narrower and shorter than my ’80s Model M, though not by much. It’s also a lot lighter and doesn’t feel quite as sturdy as my original model. It’s not flimsy; it’s just not built like a tank in the same way the old keyboards were.

There are obvious practical downsides to a keyboard this big, and space-constrained typists should look elsewhere (or perhaps at Unicomp’s more recent Mini M if you’re prepared to give up the Numpad and could use a detachable USB cable). But if you need a full-size keyboard and you’re even slightly space-constrained, then the New Model M isn’t a great choice.

The overall design of the New Model M I could take or leave. It has a kind of retro charm to it, but the Unicomp logo emblazoned on the top right is dated in an ugly way rather than a charming way, and the blue LEDs that light up when you’ve got caps lock or num lock turned on are an eyesore.

Overall, although build quality isn’t quite as good as an original Model M, Unicomp’s keyboard feels solidly built by modern standards. Its keycap legends are printed on using dye-sublimation, so they’re not going to wear away anytime soon, and they’ve got a slightly rough matte texture that feels nice under the fingers. They’re fairly tall and gradually increase in height from front to the back of the keyboard, with squared-off edges and a slight curvature from left to right. (I’d say they’re closer to OEM than Cherry profile keycaps overall.) There’s a pair of raised bars on the J and F keys to help touch typists find their home row, but they’re subtle and take a little getting used to.

The quality and style of the keyboard’s PBT keycaps are important because alternatives aren’t nearly as easy to come by as they are for keyboards for Cherry-style switches. Unicomp does sell replacements via its online store, but if you’re someone who’s interested in buying any of the wildly designed keycaps available across the internet, then be aware that vanishingly few of them are compatible with the New Model M. I also found the keycaps weren’t as easy to remove and replace as the keycaps on Cherry MX-style switches.

It all means the New Model M isn’t the best keyboard for tinkerers. There are no Cherry MX-style switches for you to desolder and swap out, and you won’t be tempted by a seemingly never-ending supply of new keycaps to buy online. That won’t matter for the vast majority of typists, but it’s worth bearing in mind if you’re curious about the weird and wonderful world of custom keyboards.

If you’re buying a New Model M, you’re buying it for the typing experience it offers out of the box. Thankfully, that experience is one of the best around. The keyboard’s heavy keys take a little bit of getting used to (I find that typing with my wrists held in the air rather than resting on my desk helps a lot), and pretty soon, the tactile clack of each keypress guides you into a reassuring rhythm. The fact that each key is that little bit harder to press than most other keyboards meant that I mistyped less frequently, making it easy for me to get into a good flow and just enjoy the process. At its best, the New Model M sounds like a glorious cacophony of key-clacking, and it feels every bit as good as it sounds.

People like to give advice about what kind of switches you should buy a keyboard with based on what you’re going to use it for. If you’re a typist, Cherry MX Blues are said to be a good choice, while gamers might be better off with Cherry MX Reds. MX Browns are considered a mix of the two. For the most part, I think advice like this can be a little prescriptive. I know people who game on Blues and type on Reds.

But when it comes to buckling springs, I really do think these are switches for typing and typing alone. That pressure you have to use to press each key is fine when you’re typing, but it can get tiring if you’re holding down a key while playing a game.

Another downside to consider is their volume: buckling springs are loud. They’re so loud that it’s not just an issue if you’re planning on using the keyboard in a shared dorm or office, but their loudness also caused problems for me on Zoom calls. I had to mute myself while on a recent call to avoid disturbing everyone else with my clacking, and I had to turn up my speakers’ volume on other occasions to be able to hear a press conference while I typed up notes. Another time, I managed to completely ruin a recording of an interview because all you could hear was the sound of me clacking away while an interviewee spoke.

If all you do on your computer is type, then the New Model M does that brilliantly. But when you need to use your computer for other things, like playing games or making calls, the keyboard’s lack of versatility becomes obvious.

I loved using my IBM Model M, and there’s no way I’m going to part ways with it anytime soon. But soon after I was done with school, I switched to a more modern keyboard with much quieter Cherry MX Brown switches. Ultimately, I needed my computer’s main control peripheral to be good at things that weren’t just typing.

Like its predecessors, when you’re using the New Model M for what it’s designed for, typing, there are few other keyboards around that do it quite as well. People have been clacking away on buckling spring keyboards for decades for good reason. But Unicomp’s keyboard is just as uncompromising as any Model M from the ’80s. It’s too loud for any modern office or video calls, and its stiff switches aren’t great for gaming.

Still, if you’re after the best typing experience around at whatever cost, then the Unicomp New Model M is one of your best options. You just need to understand exactly what “whatever cost” is.

Published at Wed, 07 Apr 2021 14:30:00 +0000

Apple Arcade finally got the boost it needed

Last week, Apple Arcade received its biggest update since launching back in 2019. More than 30 titles were added to the subscription service, including much-anticipated games like Hironobu Sakaguchi’s roleplaying epic Fantasian. But while the quantity and quality of titles added were impressive, the most important part of the announcement was a change in direction. Among those big-name exclusives were a number of classics, ranging from Monument Valley to chess to Threes, that help round out the service. Apple Arcade has finally matured into something close to a Netflix for mobile games.

Since the beginning, the pitch for Apple Arcade has been entirely centered on quality. While the App Store continues to devolve into a space dominated by free-to-play games, Arcade provided an alternative where some of the most talented developers in the world could create great mobile games without having to worry about monetization. It launched alongside new games from the likes of Zach Gage and Ustwo, and it has continued to add titles on a near-weekly basis. Subscribers get all of those games for a flat monthly fee. It’s been a solid service — but it’s always felt like something was missing.

When you sign up for something like Netflix, it might be because of one of the service’s big exclusive titles like The Witcher or Bridgerton. But that won’t necessarily keep you hooked. Part of what makes Netflix so compelling is everything else, from reality shows to classic sitcoms, that give you something to watch after you’re done with the big tent poles. Frequently, these aren’t traditional exclusives: think of how important Friends and The Office have become in the age of streaming TV.

Those kinds of experiences are something Apple Arcade didn’t really have before this shift. Now, though, when you’re done playing a short narrative game like, say, Creaks or Assemble With Care, there’s a lot more to keep you invested with recent additions like Good Sudoku or Threes.

Even better, while many of these games are available on other platforms or through the App Store, the Arcade versions are generally improved because they feature no form of in-app purchases or monetization. You won’t find puzzle or card games saddled with ads or have to open loot boxes in NBA 2K21. There’s even Star Trek: Legends — essentially a character-collecting gacha game — which almost feels strange to play without being prodded to spend money. (This lack of microtransactions makes Arcade a very family-friendly service.)

It’s also important to note that this change in strategy is additive. Apple has introduced two new categories to Arcade — one for older App Store hits, another for classic games like chess or solitaire — but it’s still releasing those big exclusive titles. In addition to Fantasian, last week’s update included Wonderbox (think Minecraft meets Zelda for younger players), World of Demons (the latest action game from PlatinumGames, the team behind Nier: Automata and Bayonetta), and Taiko no Tatsujin: Pop Tap Beat (a new entry in an excellent long-running rhythm game series). It’s a great and diverse lineup of experiences; sometimes scrolling through games on Arcade can feel like heading into an alternate reality version of what mobile gaming could have been if the race to free-to-play never happened.

Obviously, none of this is a guarantee of success. And if previous reports are to be believed, the shift appears to be a result of Arcade’s inability to keep subscribers hooked. While the subscription model is now dominant for the music, film, and television industries, it’s still relatively nascent for games. Outside of Xbox Game Pass, there hasn’t been a major success to date. Apple Arcade arguably faces a greater challenge being on mobile, where users have long been conditioned to expect games for free. The Netflix of games still feels inevitable, even if we’re not there yet — but Arcade feels closer than ever.

Published at Wed, 07 Apr 2021 13:31:56 +0000



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